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From the High Desert book cover

From the High Desert

A Cultural History of Art Bell

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August 20, 1997: Moon Hoax Debate - Richard C. Hoagland vs. James Collier

Aug 20, 1997
2h 35m
0:00 / 0:00
Art Bell hosts a fiery debate between Richard C. Hoagland and filmmaker James Collier over one of the most provocative questions in American history: did we actually go to the moon? The program opens with a discussion of Pat Robertson's controversial remarks suggesting Biblical punishment for UFO believers, featuring commentary from journalist Skip Porteous and former 700 Club co-host Danuta Soderman.

The main event pits Collier, who argues that photographic evidence proves the Apollo missions were faked, against Hoagland, who maintains the missions were real but that NASA concealed what astronauts found on the lunar surface. They clash over film technology, shadow angles, the famous rover rooster tail footage, and whether specialized Kodak film could survive lunar temperatures. Hoagland introduces his own twist, claiming some Apollo photographs were indeed staged in studios, not to fake the missions but to hide evidence of ancient structures on the moon.

Art referees the rapid-fire exchanges, scoring rounds like a boxing match while pressing both guests for hard evidence. The debate produces no clear winner but raises sharp questions about photographic anomalies that neither side fully resolves.

Key Moments

  1. Collier's opening: no shot of Earth from the Moon: James Collier opens with what he calls his strongest fact - that across all six lunar landings, NASA never simply tilted a chest-mounted camera up to frame an astronaut with the Earth overhead, the obvious 'we were there' photo.

  2. Hoagland's Apollo 14 Earth-over-LM photos: Hoagland counters with specific Apollo 14 frames from Ken Johnston's archive showing the crescent Earth above the lunar module Antares - Shepard leaning back to aim the chest-mounted Hasselblad up the ladder.

  3. Collier: film would melt at 250 degrees: Collier says he called Eastman Kodak and was told film melts at 150 degrees, and with lunar surface temperatures of 250 degrees, no Hasselblad on the Moon could have held an image. Hoagland answers that white-coated cameras and EG&G's Charles Wyckoff custom film were specifically engineered for the conditions.

  4. The rooster-tail dust argument: Collier argues the dust kicked up by the lunar rover's wire-mesh wheels arcs and falls in a way only an atmosphere can explain, forming wing-shaped fans rather than a clean parabola. Hoagland concedes the basic ballistic point but says inter-particle collisions and wire-mesh geometry produce exactly the observed fan.